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Change their lives As they weave through the prey available, the white chicks pick favorites on the basis of talent.And as such, the white chicks feign interest in whatever the artists do (some genuinely do have the interest) and go the extra mile and fund their exhibitions after which the little business relationship turns into a sexual relationship.RASTAFARIANS AND ARTISTS MAJOR TARGET The National theatre has over the years, become the ultimate hang out for individuals who genuinely appreciate or pretend to have a unique eye for art. The ones that rock mysteriously stinky and filthy long thingamajigs on their heads?This implies that artist’s faces, rowdy faces with unkempt hair and dirty thick dreadlocks that make them look like they sleep in the Nakivubo trench are common here. (Think the famous guy who has a fly-less jean-short that leaves his loins hanging about as he goes about his daily hustle of looking for what to eat in dust bins.“Here, the most sought after men by the white chicks are guys like Xenson who are very talented at their work.I also know of a guy whose work wasn’t all that good but a certain white chic approached him and funded his first exhibition after which they started dating.

These Rastafarians are the source of attraction for all the white chics at National theatre.

Many women will attest to the fact that his very existence in that state is the same as men’s reaction to Desire Luzinda’s kitone) They too, might be artists, and adroit ones with a fame in the arts and culture fraternity.

And that fame, folks, is what brings them to National theatre.

Mos Opten alias Opio Moses, a renowned graffiti artist who plies his trade from Sharing centre in Nsambya is a regular at National theatre and he reveals that most of the white chics who date from National theatre have fetishes.

“They know where they will find the kempt, groomed and handsome men but they choose here for a reason .

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